A sonnet with palindromic rhymes: keep/peek, emit/time, wolf/flow, loops/spool, part/trap, doom/mood, and peels/sleep. The first line gestures at this constraint while exploring cosmic insignificance and intimate connection.
An anagrammatic transformation between a prose poem and sonnet. Both parts contain exactly 560 characters—the same letters arranged to tell two different stories about chaos and mathematical precision.
A 3 1/3-ina—a tritina in which each stanza features an additional, shorter line whose end word is the initial third of the previous end word. Possibly the first of this form in English.
A found bilingual sonnet discovered in the genome of Cinnamon, an Abyssinian cat. Uses only nucleotide letters (A,C,G,T)—the minimal alphabet necessary to spell CAT and GATA.
This tripartite work explores the intersection of constraint and creativity through three interconnected sonnets. Each vision—of enchantment, deceit, and fate—emerges from the same pool of letters, demonstrating how form can be endlessly reconfigured while meaning transforms.
The second sonnet features palindromic rhymes and preceding heteronyms
Published in Rattle
A recursive villanelle.