This interactive demonstration reveals the anagrammatic transformation between a prose paragraph and a self-describing, self-enumerating, truthful, rectangular monospace sonnet that maintain exactly the same inventory of letters.
Experience the Anagrammatic Transformation
Watch as the prose paragraph transforms letter-by-letter into the sonnet, and subsequently the sonnet transforms itself in the chaotic paragraph.
The Two Texts
Prose Paragraph
My sons, Daniel, Julien, and Gabriel, resident sportsmen, daze through sorry rooms while I write a strict, stern paragraph. One of them stutters, protests injustice; another struts testily; the third pets our nineteen stuffed foxes. It's easier to find warm coffee than mild peace. I kick a bad ball, ever peeved. Quick, I strain to see the end of this before they're done. They attempt to fit in unusual stuff: a cactus, really? Such a stormy view from orbit on high, I see abstruse structures, unmade beds, and avidly stretch toward the even sonnet, a tactical cannon of sorts.
Self-Describing Sonnet
This sonnet has been crafted to comprise
five hundred sixty characters precisely,
but filler as its ink may be (surprise),
it fits its witty argument quite nicely.
Four hundred fifty-five letters as loom,
one hundred five non-letters in between,
it sings about the structure of its room
and, even as it does so, paints a scene.
Four sentences that gather thus to jell—
four stanzas that would rather be apart—
strain, as a service crew at some hotel,
to pick up the debris and make it smart.
One hundred words come joyfully together
to admire this sonnet's cap and feather.
Technical Note: This bipartite poem consists of a prose paragraph and self-describing, self-enumerating, truthful rectangular monospace sonnet that are perfect anagrams of each other. The circumstances in which the sonnet was composed are described by the prose part. Each text contains exactly 456 letters in the same quantities.